Central Cree and Ojibway crafts

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Personal belongings like deer hide moccasins, jackets, dresses, leggings and shirts were embellished with porcupine quill work and beads. Rawhide containers of various sizes, parfleches for example, were unique to the area and each had its own distinct designs. The Interior Salish When easterly winds blow clouds from the Pacific they tend to bump into the mountains and drop their moisture before reaching the plateau. It's a dry climate, sparsely treed with many rocky outcroppings and in prehistoric times the residents created a large number of pictographs.

The Lillooet, Thompson, Okanagan and Shuswap of the historic era made finely crafted and watertight baskets using a coiling technique and decorated them with geometric motifs. The plateau peoples may have been the only First Nations group in Canada to have used textiles - they wove blankets from mountain goat hair - but next to nothing is known of their clothing or religious beliefs which would provide a context for an interpretation of their art.

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Northwest Coast Art is a term applied to a style of art that is produced by members of the various tribes that live on the west coast of Canada from the Vancouver area north to Alaska. This style of native art is distinguished by the use of form lines, and the use of characteristic oval, 'u' and ' s' shaped forms. The imagery evolved from nature to include bears, ravens, eagles, and humans or legendary creatures such as thunderbirds. Before European contact the most common medium northwest coast artisans used was wood but contemporary artists use paper, canvas, glass, and precious metals.

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If paint is made part of the product the most common colours are red and black, but yellow is sometimes part of the design. Woodland Art. Although the training, lifestyles and creative motivation of contemporary native artists differ profoundly from their ancient counterparts, today's Woodland art is actually sourced by traditional artistic representations used by prehistoric Eastern Woodland Indians. Woodland School of Art and Cultural Survival.

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To understand the potential influence of contemporary Woodland Art, it's worthwhile noting that long before Europeans arrived on the shores of North America, First Nations people, for one reason or another, faced cultural catastrophes and it was often artistic activity that rode to the rescue! Norval Morrisseau. Norval Morrisseau is the grandfather of native art in Canada. His vision of himself and his people created the possibility that native culture and native artists could stand along side the art and culture of mainstream Canadian society.

Indian Group of Seven. Daphne Odjig. Nokomis the Artist. I was born in the bush north of Lake Superior when the spiritual traditions of the Anishinaabe were still practised and I paint memories of that time of my life. Contemporary Native Artists. As galleries and museums began to rethink the definition of First Nation's art more and more native artists saw career possibilities. Here's a small sampling of contemporary native artists listed alphabetically.

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Not all would be considered woodland artists, some like Allen Sapp and Gerald Tailfeathers developed their careers independently. Even now Native Art from the Western Subarctic was not quite as prolific. I knew what he was doing. I knew Bella. Southern Great Lakes Region. Technological innovations in pottery making came to Canada through that trade route. He was raised by his Grandfather in the Traditional Way.

After many years of his teachings being suppressed through Residential School, Isaac began regaining the teachings through other well known and respected traditionalists such as Dan Pine and Joe Eagle Elk. He is a seer and uses ceremonies to help interpret the Spirit World. He also works as a Traditional Counsellor.

Today, Isaac, inspires many people to regain and retain their spiritual inner being. He uses his spiritual insights and gift of seeing to heal the mind, body and spirit. Of the many ceremonies that Isaac is capable of doing, he prizes the one that helps others to be able to find themselves so they can help themselves. Janice Longboat is recognized internationally as an herbalist, Elder, traditional healer and teacher. Her vision is to promote and support healthy and safe First Nations families through the teachings and practice of First Nations culture.

Jan has practiced as a healer and teacher for over forty years, both independently and within health and educational institutions and has been acknowledged with an Honorary Doctorate from the University of Guelph. Nurturing her way of life with medicines and healing, she was given the teachings by many Elders and Medicine people. Mary Lou is Ojibway from Blind River Ontario and is a gifted writer, singer, guitarist and traditional drummer. Mary Lou was recently recognized in London, Ont. In addition to their vast traditional knowledge and cultural experience Dan, along with his partner Mary Lou Smoke, are successful television and radio broadcasters, co-producers of Smoke Signals at CHRW Radio She is an avid volunteer who co-ordinates Akinomaagaye Gaamik, a grass roots initiative to provide educational opportunities for all peoples interested in Indigenous perspectives of life, health, education, history and the environment.

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Marcel Labelle is a proud Algonquin and Metis husband, father and grandfather. He grew up in Mattawa, a small town in Northern Ontario and spent most of his childhood on the trap line where he learned how to live with and from the forest. Marcel shares Anishinaabe knowledge through birch bark canoe building. His work has received International recognition.

He and his wife Joanne have recently moved back home to live in a log cabin they built themselves where they plan to share for many years to come. Maria Brazeau Inuit Elder, Labrador.

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Maria was born and raised in Nain, Labrador in a predominantly Inuit community in times when they traveled by dog teams, and mail came once a year by boat. Maria is married 42 years with 2 children, and 6 grandchildren.

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Maria is perfectly bilingual in English and Inuktitut and has been a Labrador Inuttut translator for many organizations, the government as well as Inuit Tapiriit Kanatame since While there, she was instrumental in convincing The CPC and Bank of Mtl to provide a first ever, full banking services to a small isolated community in the Arctic, Nain, and received a Business Growth award for it. She was then appointed as Inuit Liaison Officer for the Corporation. Raised by a traditional medicine woman, Anthony is Elk clan, and performs certain ceremonies and works with various organizations throughout Turtle Island for the restoration of body, mind and spirit.

She is Drum Carrier and has shared this gift willingly for many years. Together, they share their gifts of the Drum, Song and Flute to help bring balance and insight to others. At this juncture Anthony and his partner Karen are sharing, aboriginal teachings with children, families and organizations, to bring awareness, insight and joy through various workshops and hands on teachings.

His people signed over 20 pre-confederation treaties with the Crown which cover most of the Golden Horseshoe. Various programs and services available for members through the Cree Arts and Crafts Association. Find out more.

Aboriginal Affairs and Northern Development, organizations and agencies that offer programs and services to assist First Nations people. Guide to Aboriginal Organizations in Alberta.